Showing posts with label Performing Arts. Show all posts
Showing posts with label Performing Arts. Show all posts

Sunday, November 27, 2011

Dear Reader 3

After randomly picking up my blog again last night, I realized that I had previously talked about "Big Changes" and "Things Happening with My Life" and "I'M AN ADULT!!!" type stuff, but being oh so totally vague about what those happenings were. How mysterious of me... sorta.

Also, very few of my blogs this year have had pictures in them.

So I'm making up for not talking about what's going on in my life, personally, before I have to get ready for the day.

I graduate from THIS school in THREE WEEKS!!!!

Fo shiz. If you need a massage therapist, I'm really quite good. I'm a great Christmas present, too!

So that was the big change. Once I graduate, I'm moving on to 10 more weeks of continuing ed, because I can. However, I definitely want to be working during those 10 weeks. Best time to catch me is on weekends. 

Since starting that school, I have done two plays. First THIS one:


Again. I was white this time. In fact, I looked like THIS:


I KNOW, RIGHT?! Totally awesome experience. Performed it in front of thousands of people. I think. Ha. 

The second play I did was THIS:


Much smaller show, but absolutely fantastic. Got a lot more out of it than I was expecting, particularly in the friendship department. (Shout out to my SHTR peeps. Leedle.)

I sorta looked like THIS:


My hair was a lot more 40's. I was lazy on picture day. But believe me, I make one attractive maid.

Speaking of attractive, I've been dating THIS guy:


He is Trent. He is great. No, we are not engaged. He is currently going to grad school for Scene Design at Ohio State University. That is in Ohio. OHIO is fun to shout. OIHO is fun to shout backward. Ohio is far away. Trent has been far away since the beginning of September. Long distance is not my favorite. But he will be home for the better part of December. And I am excited. Fragmented sentence.

So. That's me since I last blogged. Aside from last night.

Love, Tanika


Sunday, August 29, 2010

Dear People Invited to Theatrical Events on Facebook,

It is a rare happenstance when a production is put on for one night only. Usually, they run several nights a week for multiple weeks, or even months. On the event page, the person who created it will most likely put the date of closing night as the end time for the event, as well as opening night for the start time of the event. That way, you will see and understand that there are various chances to see the show, and know exactly how many MANY times you could take one of those said chances and see it. This does not mean that you are expected to see the show every single night. We are not asking you to make the same commitment we have made to be there every night. We just want you there for one evening, maybe more if you choose.  We just want you to be able to see it; we're flexible that way.

So when you say you cannot make it to opening night, and therefore will not be able to see the show at all, you display yourself as an unobservant git who deserves to be shot.

And it hurts our feelings.

Love, Tanika



P.S. I don't really believe anyone should ever be shot. It's just frustrating when we are excited for people to come see our show, and it's dismissed because people don't take the time to realize what's going on. It's just a vent, and I apologize to anyone who is offended or now worries I'm a homicidal maniac.

Monday, May 10, 2010

Dear People who are/know people ages 3.5-18+,

This is my shameless plug.


This June, I am assisting at the UVU/Noorda Youth Theatre Summer Camp. It's a spectacular opportunity for kids and youth to learn about various aspects of theatre from highly qualified specialists, and a great way to meet new people, build self confidence and have fun! The camp runs from June 7th to July 2nd. You can sign up as many weeks of the camp you want with however many classes you want; basically in a "build your own summer camp" format.

Along with classes and workshops, the summer camp is producing three Theatre for Young Audiences productions: 

Super Student and the Case of the Water Pistol (grades 4th-9th)
High School Hamlet (grades 7th-12th)
The Secret Life of Girls (grades 10th-12th)

Auditions are being held THIS FRIDAY, May 14th. You can come prepared with a minute-long monologue, or just take one of the cold reads. They'll even let you say your name five different ways if you want; they just want to see what you can do. 

To register, call 801-863-8012. For details, click here for the Facebook event page and here to download brochures for full class/workshop schedules and information, SCHOLARSHIP opportunities and for online registration. I promise, if this sounds like an opportunity you or your friends may even be vaguely interested in, you should check it out and sign up for classes. You do not want to miss out!

Love, Tanika

P.S. In case you were wondering, the classes I'm assisting in are Story Book Drama for classes ages 3.5-4.5, 4-5, and K-1st grade during the 3rd week, Storytelling: Personal Tales for grades 10-12, and Improv for grades 7-9 in the 4th week. If you or someone you know are in the right age group for my classes! You know you want to come play with me.

Wednesday, April 14, 2010

Dear Reader 2,

I'm doing a small collection of mini letters I've written in my head in the last few days.



Dear Theatre,

Why is it that the 6-foot tall girl who is deathly afraid of heights is always. ALWAYS. The one chosen to do the complicated stuff on the extremely high part of the set? WHY?

Love, Tanika



Dear Men,

Is the following statement true? "If a guy wants to see a girl, he WILL do whatever it takes to see that girl." I'd really like to know, for the sake of my sanity. By the way, I'm single. And I should be dating a lot more. You should ask me on a date. I'm interested in you.

Love, Tanika



Dear Pirate Language on Facebook,

You make people's lives sound far more interesting than they are.

Love, Tanika



Dear "It" Girl,

You could seriously have your pick of most of the guys in the department. Pick one. Don't go all crazy white girl on him, and stick to him. Leave the rest of the poor male population to the rest of us girls. You don't get to flirt anymore. Chastity belt is now locked in place.

Love, Tanika



Dear Noorda Theatre Summer Camp,

Please, oh PLEASE, find a place for me. You have no idea how much I want to work for you. I don't care if it's changing diapers. I just need this experience this summer. Please, Please, PLEASE!!!

Love, Tanika



Dear Men (Again),

Fo shiz. Ask me on a date. I'll look pretty and try not to embarrass you and myself too much. And if you're repulsed by the idea of asking me out... please tell me why. I'd like to know what I'm doing wrong these days that makes it so impossible for you to think of me in that way. Ugh, I hate being one of those girls. Forget I said anything.

Love, Tanika


Thanks for letting me share!

Love, Tanika

P.S. Have you seen He's Just Not That Into You? Remember Gigi? I'm her. Without the exception. Heaven help me.

Wednesday, March 17, 2010

Dear People of the Performing Arts,

In order to save myself from becoming the biggest hypocrite on the face of the planet, please remember this particular blog is more of a vent than anything. If you're currently in a show with me, DO NOT read this blog.


In the rehearsal process, unless you are a director or captain of sorts, or have been told by a director or captain of sorts to do so (and ALL of your cast members know it), do not tell other people what to do. Ever. Once you do, you have crossed a major line as a performer, and there's no going back. You have created an unnecessary hierarchy in which you are the resented dictator.

I know you may think you are being helpful, and in some ways you are, but more often than not it will cause your fellow performers to resent you. Personally, if I were a director and one of my cast members started to take over, I would make a mental note to never cast that person again, and I would inform other directors of your tendency to control. Seriously, it's not a good thing to do.

If you notice that some people are doing things wrong, ASK the director to go over or clarify what you have noticed. Do not raise your hand and then make an announcement to the cast about it. Do not even utter the phrase "I've noticed some people doing..." Pointing out others' mistakes makes you a target. People will now watch you. And they will notice every single one of your mistakes. It's particularly funny when you make the same mistake that you've been harping on with others. And believe me, it will happen. 

You are a performer. You are part of the cast. No matter how significant your role is, no matter how well you've grasped a concept that others are not getting, you are not the director. The director is the director. Let them do their job. Again, if something isn't going the way its supposed to (notice that I did not say how YOU think its supposed to) go to the director. It's even more appropriate to go to the director privately. Unless it's a social problem that needs to be addressed for the well-being and unity of the cast and certain people need to be dealt with by an authority, do not mention names. Just name the problem. In question form. 

The only time it is appropriate to help someone is if they ask for it, and only if it's about something technical, like a certain step or part of a song. Do not help with character work. If they ask for it, tell them to go to the director. Also, this help should be on your and the asker's own time, not while the director is giving instruction. If someone asks for your help during that time, say, "I don't know!" in a kind and friendly way, then raise your hand. 

If you address a problem, and the director fixes it once, but people continue to make the mistake, this STILL does not give you permission to tell your fellow cast members what to do. Just ask to go over it again. This may make you look a little slow of learning, but that's better than crossing the directing line. In all honesty, if the director doesn't work the problem until it's completely resolved, it's probably a bigger deal to you than it is to them, and your opinion doesn't really matter. If the director does go over the problem again and again and people still miss it, chances are they realized their mistake as they were making it. At that point, it is their responsibility to resolve the issue themselves. Not yours.

A side note on a minor form of this breach: shushing. It's annoying. If the director is trying to get the cast's attention, sit quietly and be attentive to the director. Wait for others to notice what you're doing. If they don't, it's their loss. And focusing on their inattentiveness will only make you miss instruction more. It's amazing what apathy for a possible annoyance can do to your happiness level. 

In short, worry about yourself. Take care of yourself. Be friendly and sociable and helpful when appropriate. Good for you for excelling; lead by nonverbal example. People will like you a lot more, and people won't write blogs like this about you. 

Love, Tanika